I'm really excited to announce that The Candid Frame is now part of the TWIP Network. Led by my friend Frederick Van Johnson, TWIP is shaping up to be a powerful network of photography podcasts of which I'm glad to be a part.
When I launched TCF in 2006, it started because I wanted to hear a show that focused more on creativity and process and less on equipment and technique. Though there several great photo-centric shows, there was nothing that regularly visited the ideas and stories behind great photographs. I quickly realized that if I wanted something like that, I'd have to create it myself. I did and The Candid Frame is the result.
Now, it's almost 10 years later and the world of podcasting is changing from a niche embraced by the few into a mainstream phenomena. Instead of having to have a computer and some complicated piece of software to search and subscribe to RSS feeds, you can subscribe directly to your tablet or phone, and increasingly even on your television and soon even your car. Podcasting is becoming a greater source of entertainment and information for new people worldwide and I wanted TCF to be part of that evolution.
So for me joining the TWIP Network was a no brainer. Not only are there some great new shows to be found on the network, but there are also some OG podcasters that are joining to together to create a destination unlike anything else on the web. It's really an exciting time.
I know that this show is as important to you as it is to me. Whether you've been with me for months or from the very beginning, it's always been my goal to provide you some of the best conversations on photography that I am capable of.
So, what changes? Not much really.
If you are currently subscribed to the show on iTunes or some other aggregator, you'll still enjoy receiving the show as you have been. We'll eventually make some technical changes to where the files are stored and distributed from but hopefully that will be completely invisible to you.
While we have some long-term plans for consolidating parts of TCF under the TWIP Network banner, we are committed to doing in a way that isn't disruptive of your experience. But we'll let you know as things develop.
So, thank you for accompanying me on what's proven to be an amazing journey. The last decade has been phenomenal and the next one promises growth, challenges and some wonderful conversations.
Trey Ratcliff is a photographer, artist, writer and adventurer. Trey’s images and stories capture the beauty of exotic travel destinations and the humor of the bizarre situations he often finds himself in. There is always something new, unexpected and beautiful to see.
In this week's video, Ibarionex discusses the idea of creating images that appear purposefully casual. By this, he means how a photographer uses graphic elements to compose a photograph but creates a result that comes off as very subtle and calls less attention to the actual presence of the photographer.
Each year hundreds of millions of dollars are spent to make purchases online. That’s especially the case when it comes to camera equipment. Back in the day, you would peruse the back pages of a popular photo magazine and call a 1-800 number. Now, you can buy camera gear using nothing more than your smartphone.
The ease by which you can buy an item can be problematic if the only thing you’re reading is the sale price. It can be tempting to immediately click on that button when you see the promise of hundreds of dollars in savings. However price alone shouldn’t be the only determining factor for you hitting the buy button.
Suzanne Sease is a creative consultant and former ad-agency senior art buyer. She works with both emerging and established photographers and illustrators to create cohesive, persuasive presentations that clients can’t resist.
In this week's video, Ibarionex discusses the role of anticipation and patience in producing great street photographs. He explains how recognizing the potential of a scene and waiting for the moment to play out increases the likelihood that you will produce a great photograph.
For the past 5 years, I have been using the Fujifilm x100s as my preferred camera of choice. After borrowing a friend's camera for my first trip to Europe, I purchased my own and it's been hanging on my shoulder almost every day.
Fujifilm replaced the camera with the x100T and later the x100F each of which offered performance enhancements and new features which improved on an already fine camera. Yet despite these advancements, I delayed upgrading. And though those later versions addressed some of the issues that I and others had with my camera, I didn't make a beeline for my camera store with my credit card burning in my hand.
BRIAN “B+” CROSS is one of the most prominent music photographers working today. He has photographed many album covers for artists such as Damian Marley, David Axelrod, DJ Shadow, Flying Lotus, Eazy-E, J Dilla, Jurassic 5, Rza, Company Flow, Madlib, Dilated Peoples, Mos Def, Thundercat, Kamasi Washington and Q-Tip. Cross was the director of photography for the Academy Award–nominated documentary Exit Through the Gift Shop, and he has made several feature-length music films (Keepintime, Brasilintime and Timeless) and many music videos.
In this week's video, Ibarionex discusses how light falling differently on disparate elements in the frame can result in more complex and interesting compositions. He suggests how looking beyond the subject, you can develop an awareness of the environment that will open you up to stronger photographs.
Yesterday I spent the afternoon making photographs in Pasadena. I was getting familiar with the new Fujifilm X100F that I had purchased to replace the X100S I had been using as my primary camera for the past 5 years.
It was while walking through the streets that I spotted this shopping cart discarded in a parking lot. It reminded me of an assignment I had given myself years ago where I challenged myself to photograph nothing but shopping carts for the week.
Born in Brooklyn in 1968, Sasha Waters Freyer makes non-fiction films about outsiders, misfits, and everyday radicals. Trained in photography and the documentary tradition, she fuses original and found footage in 16mm film and digital media. Most recently, she has crafted lyrical explorations of motherhood, documentaries on the New York of her youth, and essay films on the cultural and political legacies of the late 20th century. Her newest work is a feature documentary on American photographer Garry Winogrand. The film titled Garry Winogrand: All Things Are Photographable will air on PBS American Masters in 2019.
Harvey Stein is a professional photographer, teacher, lecturer, author and curator based in New York City.
He currently teaches at the International Center of Photography and has taught in several undergraduate and graduate photography programs in the past. Stein is a frequent lecturer on photography both in the United States and abroad. His latest book is Mexico: Between Life and Death.
In this week's video, Ibarionex discusses how to consider the use of umbrellas in a photographic composition. He shares how to use the line, shape, and color of an umbrella as a graphic element in the photograph that can complement the subject and the other elements in the frame.
In the spring of 1992, the city of Los Angeles erupted in civil unrest. Five Los Angeles police officers were acquitted of crimes related to the violent arrest of Rodney King. Captured on videotape, the beating was seen a visual confirmation of a history of brutality by the LAPD. Many believed that the recording provided incontrovertible evidence that would finally see justice served. Twelve jurors believed otherwise.
Peter Turnley is renowned for his photography of the realities of the human condition. His photographs have been featured on the cover of Newsweek 43 times and are published frequently in the world’s most prestigious publications. He has worked in over 90 countries and has witnessed most major stories of international geopolitical and historic significance in the last thirty years. His photographs draw attention to the plight of those who suffer great hardships or injustice. He also affirms with his vision the many aspects of life that are beautiful, poetic, just and inspirational.
In this week's video, Ibarionex discusses what it takes to make a good photograph of an interesting character walking down the street. He demonstrates how to see beyond the subject and consider the relationship between the person(s) and the other people and elements in the frame. Using a variety of techniques, he suggests choices that can improve your ability to produce more consistent photographs.
Kate Parker is a mother, wife, Ironman, and professional photographer who shoots both personal projects and commercial work for her clients. Her STRONG IS THE NEW PRETTY photo series led to collaborations with brands such as Disney, Athleta, Kellogg’s, and NBC. It has also inspired Kate to launch a philanthropic arm of SITNP, partnering with organizations such as Girls on the Run, Girl Up, The Arthur Blank Family Foundation, Disney, Glam4Good, and The Bully Project by investing in girls’ health and education. Strong is the New Pretty was also adapted for a book with Workman Publishing and became a national bestseller as well as selling overseas. Additional books will be published with Workman in 2018, 2019, and 2020.
For many years, I was a writer for hire. I wrote countless magazine articles and books as the means by which I made a living. I loved writing and I loved photography and so I counted myself lucky that I could earn money from doing two things that I enjoyed and felt that I did well.
But about three years ago, I burned out. I was writing, but doing so for the sake of a paycheck. I had lost the joy and passion that had spurred me to make this my life’s work. That decision resulted in a big financial hit, but I just didn’t have it in me to keep pressing on.