Born, raised and educated in England – with frequent visits to her father's home of Venice, Italy – Lucia Griggi moved to California in 2010. With her roots in the surfing, skateboarding and outdoor adventure world, Lucia focuses on lifestyle and adventure for editorial and advertising clients.
She combines her English precision with Venetian creativity to capture the moment with clarity and wit. Lucia's work is fresh, vivid and full of energy.
Lucia's work has been internationally recognized and awarded by National Geographic, PDN, Windland Smith Rice International Awards, Black and White photography and the Masters Cup. When not shooting, Lucia can be found surfing the Californian coastline or visiting family back home in England.
Download the free Candid Frame app for your favorite smart device.
Support the work we do at The Candid Frame with contributing to our Patreon effort. You can do this by visiting patreon.com/thecandidframe or visiting the website and clicking on the Patreon button.
You can also provide a one-time donation via PayPal.
You can download the latest episode by clicking here.
To stream the current episode on your computer, click on the player below.
In this week's video, Ibarionex discusses how photographers can reveal what it is to be human. By looking for moments of interaction between people, whether they know each other or not, he explains how images can transcend the common tropes of street photography and become something more.
When I am on the hunt for photography books, I am not only looking for good information. I am really hoping for insight, revelatory moments that are not so much about learning something brand new but finding an alternate perspective to how I see the world through a camera.
Larry Fink on Composition and Improvisation does that for me.
Joel Meyerowitz was born in the Bronx in 1938 into a neighborhood that offered daily lessons in the divine comedy and tragedies of human behavior. He believes it was that basic “street” education that nurtured his delight in human observation, a perception that is at the heart of his photography.
In this week's video, Ibarionex discusses ways that he tries to challenge himself with his street photography. He talks about how to use multiple figures and have them play off of each other.
I was recently invited to a screening of the documentary film, Don't Blink about the legendary photographer, Robert Frank.
Frank along with Henri Cartier Bresson helped to redefine what photography could be in the latter part of the twentieth century. With his book, The Americans, the Swiss-American photographer turned his lens onto his adopted country creating a body of work that while controversial in its time has come to be embraced as one of the most significant works of photography.
John Keatley often self-characterizes his work as a reflection of himself, rather than the individual he is photographing. In recent years, his journey of self-discovery has brought clarity to emotions that have always been present yet were previously unknown. Anxiety. Fear. Isolation. Not Being In Control. Keatley capitalizes on the correlation between these emotions and humor.
It used to be that if you wanted to have an in-depth learning experience from a master photographer, you had to attend a workshop or if you were lucky, serve as their assistant. The first could be prohibitively expensive, especially if travel was involved. While the latter was only available to those talented and persistent enough to secure such a position when they became available.
Vincent van Kleef is an Amerstdam-based photographer who used the social-networking power of Facebook to solicit the participation of people in his community. His portrait series provided me not only subjects for his photography but also allowed him to reveal the personalities and stories of the city’s inhabitants.
In this week's video, the importance of waiting for the moment to play out in a scene. Inspired by some recent experiences he had as a student in a photography workshop, he discusses why allowing a moment to reveal itself in a scene can make the difference between a snapshot and a great shot.
For over 25 years, I have been a photo educator in one form or another. Whether as a writer, adjunct professor or a workshop leader, I had shared my knowledge and experience with thousands of photographers with varying levels of experience.
However, there have been times when I am the student. And regardless of what I know, or think I know, there is always some insight to be gained when I am listening to another person sharing their knowledge and experience.